The culture of History of the World was extremely collaborative. Of course, I jumped at the chance!Ĭoming from The Upshaws, where it was generally just me in the edit bay combined with the multi-camera editorial style, was an adjustment as History was quite the opposite. Just as we were wrapping up our season, Wanda asked if I’d be interested in cutting the Mel Brooks sketch comedy series. My experience editing The Upshaws led me to my next show, History of the World, Part II. History of the World Part 2 | Trailer | Hulu youtu.be ![]() I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons. That's all.Īgain, you can see examples of all these aspect ratios in action over on Vashi's blog, and you can download them here. All you've got to do is import the template with your aspect ratio of choice into an NLE, drag it onto its own video track atop your edited sequence, and vertically reposition any shots that need recomposing to fit the new ratio. ![]() Each template comes in resolutions ranging from 2K to 6K.Īpplying these ratios to your footage is insanely easy. They range from classics like 1.85:1 and 2.39:1 all the way to the obscenely wide 4.00:1. His new template pack (which you can download by clicking the giant image below) comes with 8 popular widescreen ratios just as black bars png. So Vashi did us all a favor and updated the templates for our high-resolution present and our even higher-resolution future. ![]() However, those templates were all designed for HD frame sizes, and this being 2015, seemingly no one gives a shit about HD anymore. In one of his best blog posts, prolific editor Vashi Nedomansky shared examples of most every aspect ratio ever used in the history of cinema (there are a lot of them), and shared a link to some free templates that can be overlaid on footage to change the aspect ratio.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |